"Archival Works Friday" No. 8!

 

"Archival Works Friday" No. 8!

The next post for "Archival Works Friday" hearkens back 12 and then 7 years ago.

As I mentioned before - I'll post a painting, drawing or serigraph (silkscreen print) from the archive files of years past...and give a little back story on the work. I hope you'll find it interesting!

This post involves acceptance and rejection. Acceptance - something every artist craves...heck, something every human being craves! And rejection - something we are all familiar with at some time in our lives, unless amnesia's involved.

As far as art is concerned, I first became acquainted with these "rival aspects" back in art school. I remember so well, the class critiques...your work was put up for display in front of the class and sometimes other students were respectful and kind (or sympathetic) and then there were times you'd wished you overslept and missed class!!!! The most dreaded critiques were from visiting professors; you could seriously doubt your choice of career after one of those. But being critiqued wasn't just a learning experience, it was also character building - you sure learned what other artists thought about your work! Ha! It got pretty hairy at times - a lot of fragile egos out in the art world!

It takes many years for some of us to find ourselves...to really start to believe in oneself and create your own "look" or niche. But you also realize that your work is not for everyone. That can be a form of rejection to some, but hey you can't please them all and that's just the way it should be. Wouldn't it be boring if everyone liked the same thing! I could rattle off some very "commercially" successful artist's names that I wouldn't want on my walls - its all personal taste right?! But to have someone like your work enough to "invest" in it is something that makes all those years of plying yourself worthwhile.

Acceptance and rejection are always a fact of life for artists - even for old ones! I'll share a story of acceptance - then rejection - Then overwhelming acceptance. It was neat...then disappointing...then very gratifying.

 

"July in the Valley" - plein air oil painting

(6X8")

 

The example in question began with a small 6X8 plein air painting of the valley out in front of the house and studio one July 12 years ago The sky was just amazing to watch, as it so often is out here. I titled the small painting "July in the Valley" and was very pleased with it. Plein air painting (sometimes termed "pochades") are paintings done outside at the actual location, and are often done just as "studies"...sometimes to "test the water" for a larger painting maybe to be done later on.

This small painting was spotted on the studio gallery wall and purchased by another artist from eastern Iowa, a retired architect. I was very pleased this person was so taken by this small painting! Acceptance is good!

 

"July in the Valley" - studio painting

(12X16")

 

A couple years after this sale was made I had another visitor to the studio. This was a local/area person that had been to the studio before and a former customer. (I'll keep this customer "vague" so as not to shine a light on anyone.) The visitor remembered the small plein air painting that had been sold to the artist I mentioned, and the visitor knew I was thinking of doing a larger painting in the studio of this same scene. I told the visitor that I would alert them when the painting was finished and that they had first dibs if they wanted it. Well some time passed and I finally got to the painting, eventually finished it, and notified the potential client. The potential client came out to the studio and I showed them the painting, the painting was accepted and was purchased. Now it would be normal and nice if things ended here. But several weeks later the client called and asked if they could return the painting...they sounded uneasy but I graciously accepted the return and refunded the purchase price. I felt bad but could tell the client was embarrassed...I won't go into their reason but it was a bit "out there". But that's life right?! Rejection is not fun.

Rejection can often cause a person to question things...is the painting a good work? Am I missing something? But I've learned over the years to not get too rattled when things don't come out quite like I expected.

The studio painting took it's place on the studio wall, right along with other paintings - for the next couple years.

Down the road I submitted this painting, along with two others, to EMC Insurance Corporate office in Des Moines for consideration for their Corporate Art Collection of Iowa Artists. EMC has a neat way of adding artist's works to their collection - they let their employees vote on their choice! After the works submitted for their collection had gone through several EMC employee committees to narrow down the choices - I was notified that "All 3" of my paintings had been over whelming accepted!! Again - acceptance is good!!!

It felt like a win for me, especially since multiple people and committees had "wanted" this painting...sure, one person thought it wasn't right for them personally after a while, but now it was a favorite of many, over and above a lot of other artists that had submitted work! And, oh ya - they also wanted my other two paintings as well...that was REAL acceptance!

So now my studio painting "July in the Valley", and the two others, are part of the EMC Insurance Corporation's EMC Art Collection (as well as one other from 3 years earlier), and I still plug along and strive to do my best. But I know that whatever I do...painting, drawing serigraph or even my photography - aren't everyone's cup of tea, nor do I expect them to be. And I also know that having work purchased by clients is a very good feeling, one that will never grow old.

Thank You, all of my past and present friends and clients, for giving something from my life a good home!

Winter's Last Breath? (Crossing Fingers!)

 

"Frosty Morning Light - Hay Rake" - oil painting - ©Bruce A. Morrison

Is it Spring yet?!!!  One below zero Fahrenheit this a.m., but above freezing this afternoon...a good southwest wind bringing up the warm air - welcome!  This is the beginning of several warm days in the 40's to 60's, so looking forward to it!

I've been cranking out winter themed work the past month...had to get them out of my system before work outside on the acreage presents itself.  I don't do loads of winter artwork, but had these in my memory file; if I don't get them down I can lose them.  I just have so much memory available in this old hard drive (my brain)...if something new or memorable comes by - something has to go.  I find my brain deleting memories a lot these days...hey, it happens to all of us eventually.

The oil painting above is of my favorite acreage "prop"...I wish I had one or two more different types of old farm machinery that I could place here or there on the pastures, but this one is just perfect.  The old John Deere hay rake came from an artist friend's family farm - he even remembers using it each summer, then bailing afterwards.  It was his Grandfather's, then his Father's...his Dad just passed away about a month ago.  Although it wasn't the purpose of the painting, I suppose you could think of it as a tribute to his Father and Grandfather, representing their farming heritage and years now finished.

"Litka's Winter Bales" - color pencil drawing - ©Bruce A. Morrison

The next artwork is a color pencil drawing that about finished off a couple pencils...especially the blue one...lots of shades of blue in there!  This was a winter scene about 4 miles down the road from us...on a piece of property that the owner has let me walk for years.

We have not had much snow this winter...what we did get was fairly fleeting.  So both works were done from older photo files I had to dig up from my system folders.  Winter images aren't the best sellers for me but I'll admit that I'm not all about supporting this habit anymore.  Life is too short and doing what makes me happy has become more pleasing and important for my well being.  And if something "does" strike someone and goes to a new home - that's a double good thing! 

As I mentioned, the winter has been a dry one...we did a pasture inventory yesterday afternoon and it is obvious we cannot burn this spring unless things turn around and the rain comes.  We keep mowed paths between the paddocks, and along property boundaries for fire breaks...these are usually very green once the snow melts and the spring comes.  Any burning we do is helpfully controlled by the green/short mowed barriers.  These "barriers" are toast brown and tinder dry this Spring.  Even with "all hands on deck" (my wife and I) there is no safe and secure way to burn right now.  If the rain comes, maybe a late spring burn will be possible?  

We did do a couple limited fall burns last November though...I did an Elm sapling/volunteer killing campaign for some weeks in September and October.  There were too many for me to keep up with so I went back to a woody herbicide I used many years ago for poison ivy...Garlon 4.  I'm not fond of herbicides but I found myself completely at the mercy of the Elms - they multiplied exponentially over the past several years, and just plain got past me.  The Elms on the neighbor's grounds are still supplying seed - even though they're all in stages of decline.  

The Garlon 4 is sprayed on, so quiet mornings with no breeze is perfect as long as the volunteers have green foliage to take it in (although I believe epidermal absorption still factors in).  Several trips of spot spraying over a few weeks was necessary because there are always those plants that eluded me and some volunteers that needed multiple hits.  Once the pasture was speckled with dead reddish brown leaves and no green, then I set about with seeding plans for the late fall.

It was a busy fall in 2021 for seed gathering...mostly from our own ditches and the north pasture.  It wasn't as much as I needed but seed purchases are off the radar here in these times of limited income.  I was able to seed maybe 60% of the northwest pasture with what I had - I seeded on December 15th as there was a winter snowstorm coming in the next day.  Well...the next day we got snow...horizontal snow...our first ever recorded "Winter Derecho" - very high straight line winds.  I'm sarcastically guessing that ALL of my seeding was stripped from the NW pasture, as NO snow stuck to that pasture - it was as clean as a whistle after the storm...oh well - I tried.

We had a lot of limbs down after that storm but thankfully nothing serious.  We lost part of our sheep barn's roof but nothing we can't fix this spring.  In that effect we were very fortunate here!

We'll see down the road if any pleasant surprises still come about from the seeding I did.  I'm not holding my breath though.

But Spring is coming!  And we're looking forward to it!

Have a Blessed Spring out there...so many will not, especially in the Ukraine and possibly the Baltics...praying for peace in this world with all my heart.

Please be good to one another.  Hope to see you on the Tallgrass!

Some of My Favorite Things...

 "Canada Milk Vetch (Astragalus canadensis)" 

Color Pencil drawing -  © Bruce A. Morrison

I've been working on more drawings of prairie plants (grasses and forbs) and anyone that really knows me realizes I only do this out of a real love for the subject matter.  I guess I've been watching winter so long that I'm drawing for cathartic reasons!  But the subject matter this time around is one from our prairie pasture and that's the Canada Milk Vetch (Astragalus canadensis), sometimes these plants have other common names, I think Rattle Pod is one...these names usually make sense too - the seed pods do rattle when shaken about.  

This plant first showed up on our north pasture hillside over 10 years ago and in a location I had not been doing fall or spring seeding...again last year I found several plants in our south pasture, and again in locations not seeded before, so it may very well have been here before these areas were grazed years back.  Also, like some other plants I can think of, we've had some years intermittently that we could find no Canada Milk Vetch anywhere...2012, 2013 and 2014 were such years, yet last year they were "widespread" and in locations we'd never seen them.  That's very interesting to me but I have no answer to why!

Canada Milk Vetch, to me, has a very visually interesting structure...its almost graphic in quality ...although I chose to draw this plant - it would have made a great serigraph as well!  Or even a wood block!  Its a fairly common and somewhat aggressive plant - not one for the garden, but a great plant for the pasture here...I know the deer and rabbits sure love it!  (A lot of pruning going on through the summer.)

I tried treating the drawing's background a bit differently than in the past (more scribbling and less solvent), but tried being true to this forb's anatomy.  I drew this milk vetch at it's peak - which in the summer heat, lasts a fairly short time unfortunately...its a good thing there's lots of different prairie flowers and grasses out there and that they all have their specific bloom time - you have all summer to enjoy!

Spring is on the doorstep - get out and enjoy it!

Going Domestic...Sort Of...

"Purple Prairie Clover (Dalea purpurea) with European honey bee (Apis mellifera)"

Color Pencil drawing -  © Bruce A. Morrison

 

It's been some time since I've posted on A Tallgrass Journal, with my art studio journal being a more daily focus, I almost forget during the "off season"!  But this one relates a bit so I thought I'd cross over and add it here too!

 

I've read that there are around 4000 species of native bees in North America (http://bugguide.net/node/view/8267) - that seems like an awful lot!  I believe I have read that there are around 30-40 species of  Bumble Bees in Iowa...and many many more species of other less conspicuous native bees in addition to that.

 

But most of us think of the "honey bee" when bees are mentioned.  I remember my grand father bringing us gallon jars of honey when I was a kid...he had a bee keeper keeping their hives on his farm and they'd give him honey for "rent".  I was a honey crazed kid - loved the stuff!  I'm afraid I still do but have to moderate my love for it a bit now.  But the main reason I wanted to have someone keep their honey bees here on our acreage was to help pollinate our berry and fruit tree crops.  Even then, they still get plenty of competition from the native bees and other pollinators.

 

Our pastures are "native" pastures with plenty of native species of gasses and forbs (wildflowers).  Here is where the native bees seem to really shine...I see many types of Bumble Bees there as well as a small Metallic Green Bee that I particularly enjoy watching - just a gorgeous little bee!

 

But the European Honey Bees like the wildflowers in the pastures as well, especially when the garden plants have finished flowering or haven't cycled to new blooms yet.  One flower the Honey Bees especially like are the Purple Prairie Clover (Dalea purpurea); this forb is also a favorite of Bumble Bees.  When deciding to do a color drawing of the Purple Prairie Clover, I intended just drawing the flower/plant itself but when going through my files for a subject to draw from, I noticed a lot of photos with bees!  So...in tribute to my sweet tooth and love for honey - I included a Honey Bee.

 

Here's to ALL of our pollinators - may we have a long and ever lasting relationship, and may it always be a good one!

Prairie Monarch

"Prairie Monarch - Bison Bull"

color pencil drawing - © Bruce A. Morrison

(click on image for a larger view) 

I've been working on a prairie monarch since March - not the insect kind, but rather the "regal" mammal kind - the American Bison.  I've never really drawn or painted a bison, except for a logo I did several years ago for the area's Prairie Heritage Center.  I have taken a few photographs over the years, but came across one in my file that I thought I could isolate and set into a scene fitting for him.  I had to do a bull - up close these guys are quite intimidating!

 

2 1/2 months on one drawing has been a little much for me, I need to get loose now - both figuratively and outdoors.  The prairie pasture has thrown several surprises at us this year...we're seeing many plants we haven't seen in the places they're showing their heads.  Some of our hillside pasture's original native seed bank is coming back, its pretty exciting to see!  I need to take advantage of what's out there and free myself from the lap board (drawing board) so much.

 

I've often wondered what it would have been like to see Bison here, in our local habitat a couple hundred years back.  I purposely set the bull bison in the drawing, on the side of a hillside slope; its how I see our pasture much of the time and adds a bit more drama as far as the image is concerned.  The sky is also quite dramatic out here in the open prairie, and by placing it back behind the hill top, it adds some tension and drama as well...is it a breaking sky or a developing storm over the horizon?

 

I hope you are able to get out there this summer and see what develops...what's over that horizon for you?!  

 

See you on the Tallgrass!

Great Lobelia (Lobelia siphilitica)

color pencil drawing -  © Bruce A. Morrison

(click on image for a larger view) 

 

This is going to be a short double post from my studio blog today...

 

My mother's favorite color was blue.  I remember all the things she decorated with; many things throughout the house favored blue. I think of her during the year when the few blue flowers of the prairie bloom.  In the spring it's Blue-eyed Grass, in the late summer its some of the asters, (like Sky Blue Aster)...in the early fall, for me its Great Lobelia!

 

I came across a large group of Great Lobelia this past September on a hillside seepage.  I took several photographs of the plants but none seemed to do them justice, like I feel they need...so I decided to make it a fall project to do a small color pencil of them instead.  I should probably title this piece something like "Great Lobelia Blues".

 

I've not had success getting this wildflower to grow in our pasture because we're fairly gravely here, and this flower really favors a wet location.  Now I have a small bouquet of them "growing" in a frame in my studio...a nice way to remember my mother, and a late September morning on the prairie.

 

Hope you had time on the prairie this fall during those Indian Summer days!  With the weather getting colder here, I'll soon be trekking the prairie with the snow shoes on!  Not sure I'm quite ready for that though!

Hope to see you on the Tallgrass.

"Waterman Sunrise"

photograph © Bruce A. Morrison

Its fall already (!) and its been just glorious here.  Although I hate time slipping by so quickly, I'm a sucker for autumn!  I've been doing more work than prairie upkeep this year...with so much to do here in the studio, my prairie experience has been mostly relegated to exploring, photographing and painting (or drawing).  

I love the exploring part!  This year I've been very blessed to get access to some very nice places to walk and photograph.  They've all been in the "neighborhood" here...but this neighborhood is intoxicating and I'm hooked bad.

We live along the Waterman Creek in the valley here...this creek is part of the Little Sioux River shed and this river shed has been identified as one of the last large tallgrass remnant areas in this state (Iowa).

"Cattle Crossing"

color pencil drawing © Bruce A. Morrison

Top that off with the richness of cultural heritage here and its just hard to not get drawn in and absorbed.  I can only lament that I wish I'd been here and exposed decades ago!  I'm certainly not getting any younger but I haven't felt this way since I was a kid and discovered the river and creeks near my home for the first time.

I think being an artist of regional bent...a representational painter, a landscape photographer, a prairie fanatic, is all my vision desires and that is where I'm at now.  I'm home.

"Summer Evening on Waterman"

oil on mounted canvas - 9X12"

© Bruce A. Morrison

But this "home boy" needs to earn a living so here comes my shameless plug!  You can see the prairie up close and personal here in my studio/gallery at the Prairie Hill Farm Studio during the 2011 Artisans Road Trip coming up this Friday (September 30) from 4-8:00 p.m. and Saturday through Sunday (October 1 and 2) from 9:00 a.m. to 5:00 p.m. each day!

Come see the prairie on canvas, in the frame, on the easel or here in the valley (or all of the above)!  Enjoy some conversation, drink some fresh (from here at the acreage) raspberry lemonade and eat decadent treats!  We'd love to see ya!

Have a wonderful fall - hope to see you on the Tallgrass!!!